Angelica Lee Sin-je in “The Garden of Evening Mists” |
As a cook, Yun Ling has more privilege. She sneaks out to talk to her sister through a window. Yun Hong reminds Yun Ling of the beautiful gardens they once saw in Kyoto, and together they imagine a garden they will build. When Yun Ling is caught stealing food, the camp director cuts off two of her fingers. A doctor helps her survive, and she begins to learn Japanese.
Yun Ling is chosen as an interpreter and when the war is over, a Japanese director blindfolds her and drives her out of the camp, telling her to forget everything. Yun Ling tries to go back to get her sister, but she gets lost and from a high peak, she watches the Japanese detonate the mine with the prisoners inside. No trace of the camp is left.
After the war, Yun Ling works for a war crimes tribunal, trying to determine where the camp was. She is sacked after a few months, but then goes to Girton College in England to study law. At loose ends when she returns, she goes to visit a tea estate in the highlands, run by a Boer, Magnus Praetorius, a friend of her family. Magnus points out the garden of Nakamura Aritomo below. Aritomo had been a gardener for the emperor of Japan, but exiled himself after a dispute. Visiting the garden, Yun Ling asks Aritomo to design a memorial garden for her sister. He refuses, but suggests she apprentice to him to learn how to do it herself.
Yun Ling works hard on the garden, Yugiri, learning much and becoming more than an apprentice to Aritomo. It is the time of the “Malayan emergency” when communists are trying to take over. Yun Ling has several encounters with terrorists, and when she recovers, her father asks her to come home to Kuala Lumpur. She refuses and moves into Aritomo’s house in the garden.
Aritomo also creates woodblock prints. When the rains begin and they can no longer work in the garden, he tells Yun Ling he wants to make a horimono, a full-body tattoo, on her. “Only on my back,” she says. He works on it, an hour at a time. Yun Ling finds that when she is feeling the pain of the needles, the clamor in her mind is deadened.
The “emergency” continues. Terrorists come to the house and tear the place apart. They drive Aritomo and Yun Ling up to the tea plantation, where they harass Magnus and his wife. They believe the Japanese buried treasure somewhere in the hills and want to know where it is. Magnus says he knows and the terrorists take him with them, leaving the others. His body is found a few days later.
The horimono finished, Aritomo practices archery in the evening. He and Yun Ling go for evening walks. One evening he says he wants to be alone. He turns back to look at the garden, but disappears. No trace of him is ever found.
Yun Ling goes to Kuala Lumpur and becomes a barrister and then a judge. She cannot bear to think of the garden, Yugiri. It becomes neglected. But after many years, Yun Ling finds she has aphasia. She will lose her language abilities within a year. She retires from her position and moves back to Yugiri, where she thinks about her life and begins writing a memoir of the time she spent with Aritomo.
She also entertains the art dealer Yoshikawa Tatsuji, who is writing a book about Aritomo. He wants to include the woodblock prints Aritomo has created. He is also entranced when Yun Ling shows him the horimono on her back. He produces a contract in which he agrees to collect it upon her death. Yun Ling realizes that Aritomo must have known about the prison camp, about the treasure the Japanese hid there and that he has made a map of the location on her back.
Yun Ling decides that Yugiri is the memorial garden she must keep for her sister. She also decides that she must make sure that no one gets their hands on her horimono.
Beautifully told in The Garden of Evening Mists [2011] by Tan Twan Eng, the story of Yun Ling and Aritomo is rich with complexity and mystery. Taoist teachings are threaded throughout. Making a Japanese garden using the principles of Zen in the midst of a jungle does not seem easy, but Aritomo is equal to the art. We also get a sense of the peoples who have made Malaysia their home, the folk cultures which sustain them and the violent history of the 20th century in Southeast Asia.
An angry young woman, Yun Ling never keeps her feelings to herself, expressing them in the crisp, precise English she has been taught. She dissembles while a prisoner, of course, but after the war does what she can to seek justice. And she comes to a kind of peace in the presence of the artist, Nakamura Aritomo. It is a satisfying journey, told in the first person so that we are always privy to Yun Ling’s inner life. My simple retelling only points to the exquisite experience of this wonderful novel.