Nadine Gordimer |
Her friend Conrad says, “I am the only person alive.” That
is the existential truth for him. But for Rosa, it is not. Rosa reminds him of
“the bourgeois fate, alternate to Lionel Burger’s: to eat without hunger, mate
without desire.” The Burgers embraced communism because at the time it was the
only way to get beyond race. Rosa sees that her parents “had a connection with
blacks that was completely personal. … The political activities and attitudes
of the house came from the inside outwards, and blacks in that house where
there was no God felt this embrace before the Cross. At last there was nothing
between this skin and that. At last nothing between the white man’s word and
his deed.”
Rosa continues moving outward. She wrests a passport from
one of the “new Afrikaners” and, though under surveillance, uses it to go to
France. She wants to know what it is like somewhere else. Katya, her father’s
first wife whom Rosa has never known, welcomes Rosa to her home in a village
near Nice. Rosa is taken in to the frivolous community, in which pleasure,
food, sunshine, gardens, pets are the only reality. They are thrilled when she
meets a man who becomes her lover, a professor down from Paris, Bernard
Chabalier. The paintings of Bonnard crystallize the place for her. In them
Chabalier points out, it is as if nothing’s happened. Not the growth of
fascism, two world wars, the occupation. Katya and her friends live from day to
day.
Rosa and Chabalier travel together, he outlines the life she
might live with him in Paris. They are very much in love. But in London, Rosa
runs into the black man who had lived in her home when they were children,
Baasie. He is angry with her, angry that Rosa’s father is extolled while his,
who also died in prison, is forgotten. He refuses to see Rosa again. But the
talk with Baasie ignites her. She can no longer live in Europe as if nothing
was happening. She returns to South Africa and takes a job in a black hospital.
In 1976 during the Soweto riots, the hospital is filled with
victims. Rosa sees that it is the children that are now making the demand for
human rights, radicalizing their parents. “The children kept on walking toward
the police and the guns.” Rosa is detained on October 19, 1977, like hundreds
of others, without charges. In the women’s prison she finds ways to communicate
with other women she knows, singing and laughing together. Her lawyer expects
that she will get out, though will probably be under house arrest.
Nadine Gordimer, who died this year on July 13, did not
consider herself as political as the “white hard-core Leftists” working in the
atmosphere of apartheid in South Africa. But she was a member of the ANC and
aided the revolutionaries. Lionel Burger is somewhat modeled on Bram Fischer,
Nelson Mandela’s defense attorney. In the 1960’s when Mandela and Fischer were
imprisoned, Gordimer considered leaving South Africa, but decided not to. “I
wouldn't be accepted as I was here, even in the worst times and even though I'm
white,” she said. Staying was a political act.
Perhaps none of us believe we have done enough to end
suffering, yet all of our daily choices have political consequences. In this
book, I saw the powerful contrast between the community in France in which each
person looked out for his or her own material advantage, and the high-minded
community in South Africa fostered by Rosa Burger’s family, which worked for
human rights.
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