Kayla Contreras plays Ramona, 2016 |
Ramona was born to a Scottish father and an Indian mother.
When her foster mother dies, she grows up on the Moreno ranch, the ward of a
woman who does not like her and disdains her mixed parentage. Senora Moreno’s
son Filipe, however, loves Ramona like a sister. The story begins when Ramona is 19 and a band of Native American
sheep shearers comes from Temecula, headed by Alessandro. Felipe is not well
during the shearing and Alessandro sings and plays his violin, which soothes
Felipe. Alessandro is asked to stay on when the shearing is finished, which
makes him happy as he has fallen in love with Ramona. Alessandro brings Felipe
out into the air, where he begins to recover.
Ramona and Alessandro meet and confess their love for each
other, but Senora Moreno finds them. She is outraged and locks Ramona in her
room. Felipe tells Alessandro to leave until her anger blows over. When Senora
Moreno tells Ramona she will not permit her to marry an Indian, Ramona says,
“The whole world cannot keep me from marrying Alessandro.” At last Senora
Moreno tells Ramona about her birth mother and shows her the jewels which were
given to Ramona. Ramona keeps the scarf in which the pearls are wrapped, but
assumes the rest will be given to the church.
Alessandro does not come when he is expected, but after many
days Ramona senses he is near. She goes to meet him. He is a wasted shadow of
himself. The people of his village have been driven out, his father has died
and his flocks and cattle taken. Ramona begs him to take her with him anyway.
They steal away in the night, planning to get married and then go to San
Pasquale where a cousin of Alessandro lives. There Alessandro finds that his
father had sent some of their animals, so he is still well off. He worries
whether Ramona can live in an Indian village. Ramona is happy, making their
home in a small adobe with a verandah. She has a baby girl with blue eyes. She
is saddened to hear that her friend Father Salvierderra has died. She had hoped
to have his blessing.
Once again, however, they find that San Pasquale has become
the property of the U.S. government. The lands can be filed on and homesteaded.
When a man arrives with lumber to build a house, Alessandro sells everything.
“Where will we go?” asks Ramona. “I know not,” says Alessandro. “Somewhere the
Americans do not want.” They set off toward the San Jacinto mountains.
Back on the Moreno ranch, everyone misses Ramona. Felipe
searches, but an Indian who knew them misdirects him. When he returns he finds
his mother is dying. Before she does, she directs Felipe toward the hiding
place of the jewels and the letter written about them. Felipe is ashamed. He
vows to find Ramona if she is still alive.
Alessandro and Ramona suffer privations and finally settle
in another small village, making another home. But Ramona does not feel safe
and the baby sickens. They try to take it to San Bernardino, but the baby dies
on the way. They go into the mountains, far from people. Alessandro builds
another house. They are happy for a while, Ramona becomes pregnant again, but
Alessandro broods, repressing his feelings to the point he begins to go mad. At
times he has delusions. Ramona hopes the priests can help him, but one day he
rides in on an unknown horse. Soon a gunman follows. Insisting that Alessandro
has stolen the horse, he shoots him. Ramona sets off with the baby on a day’s
journey to the next village.
Meanwhile, Felipe has been searching all over California. He
finds the horses, which had been given to a young man from Tennessee who helped
them. Then comes the news of Alessandro’s death. Felipe and Aunt Ree find
Ramona lying ill in the village, but Aunt Ree knows herbs which will save her.
When she grows better, Felipe takes Ramona and her baby, also called Ramona,
home to the Moreno ranch.
Ramona wrestles with her bereavement, remembering her duty
to be joyful, as taught by Father Salvierderra. Felipe finds American life
intolerable and begins to dream of moving to Mexico. He and Ramona plan a new
life in this new world. Felipe finally declares he loves Ramona, who tells him,
“Part of me is dead, but I will be your wife, if you think it is right.” The
Moreno name is remembered in Mexico City and upon their marriage, Felipe and
Ramona have sons and daughters. When Ramona hears doves singing, however, she
looks up and remembers Alessandro.
Ramona’s faithfulness to her love and courage in taking up a
nomadic existence with its privations is moving. Though written by a white
woman, and incurably romantic, the story reflects something of the history of
the time when “the Franciscans were dying out” and Hispanics were beginning to
cede their lands to Americans as well. Its pervasive effect on the region surprised
me, a story I did not know until I moved to southern California myself.
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